Meditation on Violence (1949)

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  •   0hr 12min
    24/04/1949
  • Chao-Li Chi shadow boxes indoors and practices with a sword outdoors. Theoretically, the film describes in a single continuous movement three degrees of traditional Chinese boxing, Wu-tang, Shao-lin, and Shao-lin with a sword. A long sequence of the ballet-like, sinuous Wu-tang becomes the more erratic Shao-lin; in the middle, there is an abrupt change to leaping sword movements, in the center of which, at the apogee of the leap, there is a long held freeze-frame.

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    Meditation on Violence (1949)

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    Meditation on Violence (1949)

    1
    Masterpiece
    Feel Good
    Blockbuster
    Brilliant Screenplay
    Good Storyline
    Nice Direction
    Superb Performances
    Nice Visuals
    Great Music
    Fun & Timepass
    Decent Watch
    Passable Entertainer
    Could Be Better
    Predictable Plot
    Below Average
    Lengthy
    Poor Screenplay
    Disappointment

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